The amplifier is the interface between your signal sources and the speaker system, whatever is lost at this position is lost forever and conversely, whatever is introduced is also amplified. Amplifiers are also products for everyday use. Some successfully deviate from the conventional, they remind us of the strive for perfection – a human virtue we like to recognize and being close to.

There is a distinctive mood of luxurious puritanism to be found in the appearance of most Copland amplifiers. However, with the CTA407 tube amplifier we have compromised simplicity, introducing a fair deal of electronics supporting the audio stages of the amplifier.

The forty LED diodes on the front panel (10 for each tube) are the visual part of the CTA407 tube bias and diagnostic system. And yes, the LEDs can be turned off if you don’t want to read the status of your power tubes on the fly.

The CTA407 will automatically adjust for any tube in the 6550/KT88/KT120/KT150 family. The CTA407 servo system is not only a lossless automatization of the bias adjustment – it is an integrated part of the CTA407 internal high pass filtering, closely matched to the transfer function of the amplifying circuitry and a vast improvement to the overall fidelity of the amplifier.

The CTA407 employs five line-level inputs including a tape monitor loop and a built-in RIAA phono circuit accommodating moving magnet, as well as high output moving coil cartridges. It is a development of the CTA405 amplifier, an object of desire for audiophiles worldwide since its launch more than a decade ago.
The push pull output stages consist of a pair of matched power tubes in fixed ultra linear configuration, providing the low distortion of triodes and the power of tetrode valves. A pair of 6550 or KT-family tubes in push-pull configuration can deliver more than 100W of audio power. Moderating the power output, the CTA407 delivers 2x50W in high biased class A/AB mode. In practice, this means that the amplifier can deliver most its power in class A state.

Due to the quality of the output transformers, superb linearity is achieved before feedback is employed, reducing the requirements for internal lag compensation networks, and ensuring high stability after the 18dB negative feedback loop is closed.

The CTA407 can provide an extraordinarily accurate reproduction of music without tendency towards listening fatigue, featuring strong dynamics and a wide flexibility in the choice of speakers. The vanishing low perceived noise from the amplifier itself is a bliss, especially for owners of high efficiency speaker systems.

The CTA407 employs motor driven volume control and can be fully controlled by the Copland RC102A remote control unit.

Like the matching M2si integrated amplifier, the M2scd is designed as serious hi-fi available at a modest price. From the fine fit and finish of its metal casework to the unique technology sitting inside, the M2scd exceeds expectations. The M2scd builds on our years of engineering expertise, uniquely featuring both a mains choke filter and a high-tech digitalstream noise filter. Such innovations enable the player to deliver technical performance; it boasts low distortion and a virtually flat frequency response, plus minimal noise and jitter.

The M2scd's DAC design also draws from its high-end siblings, using cutting-edge technology to ensure excellent data recovery from your discs. Simply put, that means you'll hear more from your music. Reviews say "a very mature and polished performer", which "sounds refined and elegant".

The Lakmé is a floor-standing, single-tower, three-way, passive-radiator loudspeaker comprised of two isolated yet attached cabinets. The Lakmé, which is available in satin white or black, features a decorative and easily replaceable front woofer panel. The top cabinet includes a proprietary neo ring dome tweeter and a wide-spectrum midrange. The bottom cabinet houses one rearward woofer and two passive radiators. Both cabinets are isolated by a special elastomer and the bottom cabinet is floor-coupled via an aluminum tripod with three adjustable feet. The Lakmé exhibits a high 91 dB SPL 1 watt/1 meter sensitivity and inherits from some of the best Verity Audio technologies.

The Lakmé’s unique features guarantee excellent acoustic performance across a wide range of room configurations and placements. Verity Audio opted for a dual-passive radiator topology for easier room placement. This choice provides an excellent dynamic range and increased air velocity, providing fantastic performance in small to average-sized listening rooms.

The Arindal is a two-cabinet, floor-standing, three-way, bass-reflex loudspeaker. The top cabinet features a proprietary neo-ring dome tweeter, a wide-spectrum midrange, and an open-back acoustic filter. The bottom cabinet woofer driver houses a multilayered cone made of a carbon and paper amalgam that allows a superb degree of bass intelligibility. Both cabinets are isolated by a solid aluminum platform coupled with special elastomers and the bottom cabinet is floor-coupled via Verity’s Mechanical & Airborne Sound Isolation System (MASIS). The Arindal exhibits a high 93dB SPL 1 watt/1 meter sensitivity and inherits from the best Verity Audio technologies.

The Arindal boasts an impressive blend of state-of-the-art electrical, mechanical and acoustical features, all of which are essential to any pure sound reproduction. Verity designers optimized the proportions of the cabinet so it would adapt to any room and invested in components of the highest quality to make the Arindal the indisputable choice for high sound performance in all acoustic environments.

Its overall refinement is in line with Verity Audio’s tradition of creating loudspeakers you’ll want to keep for your entire life. Verity owed to its community of fans to exceed all their expectations and take care of every detail in the creation of what turns out to be an incredible tour de force.